Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood成本價 博客來

博客來網路書店博客來 From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema? traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multilocal process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through transregional and trans-national interactions that also produced a vision of Chinese cinema.

Among the book's highlights are a rereading of The Goddess—one of the best-known silent Chinese films in the West—from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood’s fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood’s remake of Hong Kong's Infernal Affairs and the wholesale incorporation of 'Chinese elements' in Kung Fu Panda 2.
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Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach, a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking.
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  • 出版社:香港大學出版社    新功能介紹
  • 出版日期:2013/11/01
  • 語言:英文

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Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood成本價


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新港相信工程 再推英語冬令營

中國時報【王瑄琪╱嘉縣報導】

新港文教基金會2012年開辦「相信工程」以來,為新港囝仔打造放學後的輔導教室,今年在社會支持下,由嘉義大學的志工老師和新港國中小志工聯手設計規畫英文冬令營課程,在製作年獸面具和洗菜煮火鍋過程中練習說生活英文,建立學習自信。

基金會董事長陳錦煌表示,這幾年固定在寒暑假為相信工程約40至60位孩子舉辦閱讀營,扎穩耐心學習的基礎,檢視推行成果,看見許多偏鄉地區家庭資源不足的孩子們,就算想要提升英文能力也沒有機會到外面補習,長期只能放牛吃草,甚至因學習挫折排斥好玩的語文學習機會。

雖然募集活動經費相當不易,好在寒假開跑前在恩慈社會福利基金會、耕興公司等企業團體資助下,終於順利推出營隊活動。副執行長孫沐紅表示,這次邀請嘉義大學志工設計4天英文營活動,由在地國中生當隊輔,社工員則表示,40位孩子來自不同學校,在學長姐帶領英語歌唱和一連串團康活動中,不但交到朋友,學習也漸入佳境。

昨日「小小廚師」、「年獸面具製作」課程中,大家洗菜、切菜、備料、煮火鍋,老師同時穿插食材英文教學,再透過刺激的「撲克牌心臟病」和「抽紅包」問答活動檢視成果,小隊之間彼此較勁也團隊合作,今起還有自製大富翁遊戲、舞蹈等,快樂學習中克服對英文的恐懼。

新聞來源https://tw.news.yahoo.com/新港相信工程-再推英語冬令營-215008718.html

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